Wu Hufan, a native of Suzhou, Jiangsu, is the heir of Wu Dacheng (1894 on the second day of the seventh month of the lunar calendar-August 11, 1968). It was first named Yiyan with the word Yunjun, and later changed its name to Wan, with the word Dongzhuang, also known as Qian, not signed with Chouyan, named Qian'an, signed by Hufan in calligraphy and painting. In the 1930s and 1940s, Wu Daiqiu, Wu Zishen, and Feng Chaoran were also called "Three Wus and One Feng". After the founding of the People's Republic of China, he served as a preparatory member and painter of the Shanghai Chinese Painting Academy, an associate professor of the Academy of Fine Arts of Shanghai University, a vice chairman of the Shanghai branch of the Chinese Artists Association, a librarian of the Shanghai Museum of Culture and History, and a member of the Shanghai Cultural Relics Preservation Committee. Collect Hongfu, be good at identifying and writing words. From the "Four Kings" and Dong Qichang to the Song and Yuan dynasties, the landscape breaks through the barriers of the Southern and Northern sects. It is unique with its elegant, elegant, elegant and elegant composite painting style. It is especially decorated with melted ink and blue and green color in a single furnace with smoke and clouds. The most representative. And write bamboo, orchid, lotus. An important painter in the Chinese painting circle in the 20th century, his significance in the history of Chinese painting has actually far exceeded his significance as a landscape painter. Wu Hufan is the author of "Lianzhu Collection", "Mei Jing Hua Ji", "The Complete Works of Mei Jing Book House", "Wu's Painting and Calligraphy Collection", "Wu Hufan Landscape Collection" and various "Wu Hufan Painting Collections".