A Collaborative Landscape, 1894Horizontal handscroll, ink and color on satin, with an artist's inscription by Weng Shouqi and dated jiawu, and signed Qi with an artist's seal, followed by two additional inscriptions by Weng Shouqi, the first in regular script and dedicated to Yuanfu, with a figural seal, the third inscription in clerical script dated Guangxu jiawu and signed Weng Shouqi with two seals, with additional inscriptions on the satin by Jiang Biao (1860-1899) in seal script, signed Yuanhe Jiang Biao with one calligrapher's seal, a colophon in regular script by Wang Tongyu dedicated to Yuanfu with a calligrapher's seal, and a colophon in regular script signed Sun Tinghan (1861-1919) with a calligrapher's seal.15 1/2 x 74in (39.2 x 188cm) 翁綬琪、王同愈 松下高仕圖 設色綾本 手卷 一八九四年作Provenance/來源:Far East Fine Arts, San Francisco, California, 1989加州舊金山遠東藝術中心，1989年Published/出版:Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-37, p. 195戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-37，頁195Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Academy of Arts, 2007, pp. 182-183Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁182-183 Exhibited/展覽:New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu, Hawaii, August 30-October 28, 2007《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年8月30日至10月28日Weng Shouqi was a pupil of Weng Tonghe (1830-1904). He obtained a jinshi degree in 1891 and later served in Guangxi province. He had a keen interest in studying ancient bronzes and epigraphy, and he excelled at landscape painting and authentication of art. His publications include Han tong yin fan kao. Wang Tongyu, who used the courtesy names Wenruo, Shengzhi, and sobriquet Xuyuan, was a native of Suzhou. Wang Tongyu passed the exam in 1899 obtaining a jinshi degree. He served multiple positions in Jiangxi and Hubei province. As a literati scholar, Wang Tongyu was also an avid book collector, artist, and connoisseur. His painting style followed the Four Wangs; his calligraphy took the models of Ouyang Xun and Chu Suiliang of the Tang Dynasty. Xuyuan cang shu mu is among his publications on the ancient books he collected.