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Home > Auction >  中国书画 >  Lot.16 Wu Dacheng (1835-1902)

LOT 16 Wu Dacheng (1835-1902)

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邦瀚斯

中国书画

邦瀚斯

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Landscapes, 1895Album of twelve leaves, ink or ink and color on paper, the last leaf inscribed with a dedication, dated the second month of yiwei and signed Wu Dacheng, with two artist's seals reading shigui shanfang and Kezhai, and two collector's seals Xuezhai jingyan and Haiyan Shen shi zhencang.4 7/8 x 10 3/8in (12.5 x 26.4cm), each leaf(12). 吳大澂 仿古山水冊 設色紙本 冊頁十二開 一八九五年作Provenance/來源:Far East Fine Arts, San Francisco, California, 1992加州舊金山遠東藝術中心,1992年Published/出版:Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-52, p. 204戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版社,東京,2013年,A50-52,頁204Andrews, Julia Frances, Michael Knight, and Pauline Yao。 Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, p. 72Andrews, Julia Frances, Michael Knight, Pauline Yao,《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁72Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp. 188-189 Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲牧師珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁188-189Exhibited/展覽:Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, California, October 25, 2000-January 14, 2001《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, Hawaii, August 30-October 28, 2007《古調新歌:費立哲牧師珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日The inscription on the last leaf has a dedication to Liqiao. Among Wu Dacheng's contemporaries, there was a calligraphy and seal carving enthusiast named Zhou Xianyi (?-1917) from Hunan province, courtesy name Liqiao. Zhou Xianyi shared the same interested as Wu Dacheng, who was interested in studying epigraphy and collecting ancient bronze. 上款:「笠樵」應為周銑詒(?-1917),字荔樵、笠樵,號仲澤,室名岳色堂、共墨齋。湖南永明(今永州)人。清同治拔貢,值中書,任思賢學院監學官。癖金石,工書法、篆刻,好收藏。除金石文物外,亦藏書數萬卷。傳世有《永明周氏岳色堂印董》、《鈢印及六朝唐宋官印譜錄》、《昈齋遺詩》、《永明縣志》首一卷及末一卷、《沅湘耆舊集續編》等。與胞弟周鑾詒(1859-1886)合輯《共墨齋藏古璽印譜》十卷。鑾詒字薈生,號季譻。光緒三年丁丑科(1877)年十九歲考中進士,授翰林院編修。光緒十一年(1885)為廣東鄉試考官。光緒十八年(1892)八月,愙齋到湖南巡撫任,「蒞湘不及三月,已頌聲大作矣」。次年奏請設立湘省求賢館,「不徒為延攬將才而設,但取其志向遠大,操守謹嚴」。據顧廷龍《吳愙齋先生年譜》,光緒十九年(1893)正月,愙齋購求賢館及孝廉書院房屋,「周薈生太史久矣作古,乃兄荔樵中書,欲將其宅出售,議價一萬三千三百金,購作求賢館」,此即周鑾詒之舊居。

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