唐云 画作�鹅与荔枝图�： 纸本 设色 镜心：拍品尺寸：画面尺寸：48x 97cm. 钤印：唐云之印； 题词:______________。拍品来源：北美地区资深书画收藏家， 旧藏品，真迹。 注释：唐云（1910 - 1993年），字侠尘，别号药城、药尘、药翁、老药、大石、大石翁，画室名�大石斋�、�山雷轩�，唐云是他成为画家后用的名字。其性格豪爽，志趣高远，艺术造诣颇高，擅长花鸟、山水、人物，可谓诗书画皆至妙境。 唐云自幼酷爱书画，十七岁前主要临摹古代名画。十九岁时任杭州冯氏女子中学国画教师。1938年至1942年先后在新华艺术专科学校、上海美术专科学校教授国画。后弃职，专事绘画。期间，曾多次举办个人画展及其他画家举办联合画展。1949年后历任上海市美术家协会副秘书长、展览部部长，上海美术专科学校国画系主任，上海博物馆鉴定委员，上海中国画院副院长等职。 1960年出席第三次全国文代会，1979年出席第四次全国文代会，同年应邀赴日本参加福冈市美术馆开幕式并进行艺术交流。 唐云对古书画收藏亦情有独钟，醉心于石涛、八大、新罗、金农、伊秉绶、赵之谦、吴昌硕、齐白石诸家作品，欣赏揣摩之余奠定了他清新俊逸，沉郁雄厚的画风。花鸟取法八大、冬心、新罗诸家，山水自元四家入手，兼涉明代沈石田、清代抓住特点大胆落墨，细心收拾，笔墨上能融北派的厚重与南派的超逸于一炉，清丽洒脱，生动有效。作品多次在国内外展出并在报刊上发表。代表作品有《朵朵葵花向太阳》、《棉花谷子》、《红荷》、《鲜花硕果》、《郁金香》、《松鹰》、《竹》、《白荷》、《海棠双鸟》、《山雨欲来》、《咏梅》等。出版《唐云花鸟画集》、《革命纪念地写生选》等多种，亦擅书法，长于早篆及行书，工诗文，精鉴赏。此外，先生对紫砂壶、砚台、竹刻、印章、木版画籍等均乐之不疲，一一涉猎，其中尤以收藏的八把曼生壶著称于世，现存于唐云艺术馆。 唐云先生生前为中国美术家协会理事，中国美术家协会上海分会副主席，中国画研究院院务委员，上海中国画院副院长、代院长、名誉院长，中国书法家协会上海分会名誉理事，西泠印社理事，上海市文物保管委员会委员，上海中国画院名誉院长，上海博物馆鉴定委员等职。-------------------------------------------------------------- Tang Yun's painting "Goose and Lychee": paper, ink and color, mirror core: lot size: frame size: 48x 97cm. Seal: Tang Yunzhi's seal; inscription: ______________. Lot source: senior collectors of paintings and calligraphy in North America, old collections, original works. Note: Tang Yun (1910-1993), the word Xia Chen, alias Yaocheng, Yaochen, Yaoweng, Laoyao, Dashi, Dashiweng, studio name "Dashizhai", "Shanleixuan", Tang Yun is The name he used when he became a painter. His character is bold, ambitious, and artistically accomplished. He is good at flowers, birds, landscapes, and characters. It can be said that poetry, calligraphy and painting are all in the wonderland. Tang Yun loved painting and calligraphy since he was a child, and before he was seventeen, he mainly copied ancient famous paintings. At the age of 19, he was a Chinese painting teacher in Hangzhou Fengshi Girls' Middle School. From 1938 to 1942, he taught Chinese painting at Xinhua College of Art and Shanghai College of Fine Arts. After abandoning his job, he devoted himself to painting. During this period, he has held many solo exhibitions and joint exhibitions by other artists. After 1949, he served successively as deputy secretary-general of the Shanghai Artists Association, director of the exhibition department, director of the Chinese Painting Department of Shanghai Academy of Fine Arts, appraisal committee member of the Shanghai Museum, and vice president of the Shanghai Chinese Painting Academy. In 1960, he attended the Third National Congress of Cultural Affairs, and in 1979, attended the Fourth National Congress of Cultural Affairs. In the same year, he was invited to Japan to participate in the opening ceremony of the Fukuoka Art Museum and conduct art exchanges. Tang Yun also has a special liking for the collection of ancient paintings and calligraphy. He is fascinated by the works of Shi Tao, Bada, Xinluo, Jinnong, Yi Bingshou, Zhao Zhiqian, Wu Changshuo, Qi Baishi, and his appreciation for his freshness, handsomeness, and richness have laid him down. Style of painting. The flowers and birds are drawn from the Eight Great Schools, Dongxin, and Xinluo, and the landscape is from the four schools of the Yuan Dynasty. It also involves Shen Shitian in the Ming Dynasty and the Qing Dynasty. The characteristics are boldly drawn and carefully cleaned. The brushwork can blend the thickness of the Northern School and the superiority of the Southern School. One furnace, clear and beautiful, free and easy, vivid and effective. His works have been exhibited many times at home and abroad and published in newspapers. Representative works include "Blooming Sunflowers Facing the Sun", "Cotton Millet", "Red Lotus", "Flowers and Fruits", "Tulips", "Pine Eagle", "Bamboo", "White Lotus", "Begonia Two Birds", "Mountain Rain Is Coming", "Ying Mei", etc. Published "Tang Yun Flower and Bird Painting Collection", "Revolution Memorial Place Sketch Selection" and many other types. He is also good at calligraphy. He is good at early seal and running script, crafting poetry and writing, and appreciating finely. In addition, he has always enjoyed the purple sand pots, inkstones, bamboo carvings, seals, woodblock painting books, etc., and he has been exploring them one by one. Among them, the eight mansheng pots are famous in the world, which are currently in the Tangyun Art Museum. During his lifetime, Mr. Tang Yun was a director of the Chinese Artists Association, the vice chairman of the Shanghai branch of the Chinese Artists Association, a council member of the Chinese Painting Academy, the vice president, acting dean, and honorary dean of the Shanghai Chinese Painting Academy, and an honorary director of the Shanghai branch of the Chinese Calligraphers Association , Director of Xiling Seal Society, Member of Shanghai Cultural Relics Preservation Committee, Honorary Dean of Shanghai Chinese Painting Academy, Appraisal Committee Member of Shanghai Museum, etc.