Qi Gong (1912-2005)Landscape, 1941
Horizontal handscroll, ink on paper, the landscape inscribed and signed by the artist, dated xinsi (1941), with four artist's seals reading Qi Gong (2), Yuanbai (2); the frontpiece and colophons written and signed by the artist, with twelve artist's seals reading Qi Gong zhi yin (3), Yuanbai (3), Sheng yu renzi (3), Yuanbai jushi, Qi Gong, Zhushen
Frontispiece: 30.5 x 97.8cm (12 x 38 1/2in)
Painting: 30.5 x 135.9cm (12 x 53 1/2in)
Colophon: 30.5 x 356.9cm (12 x 140 1/2in)注脚Exhibited:
New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007

Published:
Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-274, pp.226-227

Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.390-391

Provenance:
Acquired at the Xu Beihong Museum Store in Beijing in the summer of 2001. Rev. Fabian brought it to Qi Gong a week later, who sealed and inscribed the scroll in his presence.

啟功　擬梅花盦主山水　水墨紙本　手卷　一九四一年作

引首：
筆駕雲濤生。啟功。

款識：
辛巳（1941）孟夏，擬梅花盦主法，元白居士啟功寫於簡靖堂。

題跋：
（一）春山如咲冬如睡，殘臘祁寒寫己難。妙手有功迴大化，生機無盡蘊層巒。縑留美玉脂堪比，墨惜精金秀可餐。歷世名圖看欲飽，河陽幽谷共奇觀。題山水圖一首。啟功。
（二）燈火長廊目一時，畫船笛韻夜行遲。月波蕩漾流歌板，花氣迴環逼酒巵。人跡盡隨紅燭焰，客心常繫綠楊絲。如今西壓橋邊路，添得鏗然杖一枝。舊作一首。啟功。
（三）占斷湖山美，林深偃月堂。行人虛指點，何處賈平章。攬古得句。啟功。

鈐印：啟功之印（三鈐）、元白（三鈐）、生於壬子（三鈐）、啟功（二鈐）、元白（二鈐）、元白居士、啟功、珠申

展覽：
《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物術館，夏威夷，2007年8月30日至10月28日

出版：
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-274，頁226-227

Little, Stephen, and J. May Lee Barrett, 《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁390-391

來源:
二〇〇一年夏購於北京徐悲鴻紀念館商店。一週後，費立哲神父拜訪啟功，並出示此卷，啟功隨即當面跋詩數首，並鈐印二方於畫心後隔水。