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Home > Auction >  The Reverend Richard Fabian Collection of Chinese Paintings >  Lot.19 Landscape after Huang Yi Wu Hufan (1894-1968)

LOT 19 Landscape after Huang Yi Wu Hufan (1894-1968)

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HKD280,000
Estimate  HKD  280,000 ~ 350,000

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邦瀚斯

The Reverend Richard Fabian Collection of Chinese Paintings

邦瀚斯

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Wu Hufan (1894-1968)Landscape after Huang Yi
Hanging scroll, ink on paper, titled and inscribed by the artist, copying the original inscription, and signed Hufan, with one artist's seal reading Wu Wan yinxin.
63.3 x 30cm (24 3/4 x 11 3/4in)注脚Exhibited:
Wondrous Ink, Kalamazoo Institute of the Arts, Kalamazoo, MI, August 28- December 5, 2010

New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007

Published:
Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-200, p.219

Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.564-565

Provenance:
Far East Fine Arts, San Francisco, California

吳湖帆 石淙 水墨紙本 立軸

款識:
石淙。石淙在城西四十里平洛澗。怪石凌空,面面靈瘦,深潭澄碧,溪水環流,誠嵩麓奇觀也。昔武后遊時,北崖刻詩,南崖刻序,後有范純仁等題字。下臨深淵,拓工架木求之。北崖有數孔,疑昔年架屋之跡。武后避暑,構造工妙,今惟山空水深、奇峰滿壑而已。石壁多近人題刻,路滑難登,不能捫視。稍東周公廟有斷碑首,曰「大唐洛州吉咸縣」等字。龍華寺斷石幢幢,漫漶難讀。問碑樓寺魏豫州刺劉碑造像,當隔數里,日晚不及訪也。臨黃小松司馬〈嵩洛訪碑圖〉之一。湖帆。
秋盦又自記云「於此間想見盧鴻草堂之勝」。是歲之臈,方綱書。

鈐印:吳萬印信

展覽:
水墨神韻,卡拉馬祖藝術學院,卡拉馬祖,密歇根州,2010年8月28日至12月5日

《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日

出版:
戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-200,頁219

Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁564-565

來源:
美國加州舊金山遠東藝術中心

註:眾所週知,湖帆祖父愙齋公乃黃秋盫擁躉,不僅宦中訪碑校碑亦步亦趨,對秋盫翰墨亦心摹手追,癡迷程度無人能及。嘉慶元年(1798)九月,秋盫攜拓工二人「自開封至嵩洛,十月經懷慶衛輝東還,往返四十日,得碑四百餘種,遊屐所經者成此廿四圖,以誌快幸」。百年後的光緒十六(1890)年,〈嵩洛訪碑圖〉冊待價而沽,愙齋欲斥白銀三百五十兩而未獲,後輾轉自費屺懷處借得,通臨一過,湖帆甲戌(1934)跋云此冊「並翁閣學對題及各家題字悉為摹寫,逼似真本無異,即各家印章亦以硃砂鉤摹,此亦自古畫家臨摹之所未有者也」。臨畢,愙齋倩良公付之裝池,籤條囑染古色,冊面用紅木嵌錦,極盡鄭重之能事。湖帆推此冊為愙齋公「平生畫中最精工之第一畫」。湖帆自幼得愙齋公寵愛,耳濡目染,對秋盫訪碑圖自然熟悉,然其付諸文字常見,手寫訪碑之圖卻十分罕有。

本幅〈石淙〉實乃特例。所橅為〈嵩洛訪碑〉冊第九開,據秋盫訪碑日記,抵石淙為九月十四日。原作為橫幅冊頁,每開縱17.5釐米,橫50.8釐米,秋盫題識與翁覃溪跋皆在對頁,湖帆棄原作橫幅構圖,改為直幅,又將原識與跋移入畫面,使之可單獨欣賞。畫面加寬加高至縱63.3釐米,橫30釐米,故層巒堆疊,愈見高聳,山石皴擦,盡用叔明法,直得秋盫用筆超逸、瀟灑出塵之致。

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中国香港

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  • 25,001 ~ 3,500,00025.0%
  • 3,500,001 ~ 31,000,00020.0%
  • 31,000,001 ~ Unlimitation13.9%

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