Zhang Xiong (1803-1886), Xu gu (1823-1896), Wu Dacheng (1835-1902), Yang Borun (1837-1911), Wu Guxiang (1848-1903) et al.Studying with Father at the Mountain City Wall, 1875-1876
Album of twenty leaves total, eight leaves of painting and twelve leaves of calligraphy, as follows:
Leaf 1: title leaf, signed Hongfang, followed by one seal reading Songnan ransou and one collector's seal Juanhu Shen Shanjun shi zhencang shuhua zhi yin
Leaf 2: title and inscription by Xu Jiali, dated wuyin (1878), followed by one calligrapher's seal reading Xu, one collector's seal reading Hanlu xinshang
Leaf 3: Yang Borun (1837-1911), ink on paper, calligraphy in running script dated wuyin (1878), signed Yang Borun with two artist's seals Nanhu and Borun siyin, and a collector's seal Xiaan zhengcang zhi zhang
Leaf 4: Yang Borun, ink on paper, dated yihai(1875), and signed Yang Borun, with an artist's seal Nanhu, and one collector's seal Junhu Shen Shanjun shi zhengcang shuhua zhi yin
Leaf 5: Chen Chan, ink on paper, calligraphy in clerical script, signed Chen Chan with an artist's seal reading Tang'an
Leaf 6: Zhang Xiong (1803-1886), ink and color on paper, dated yihai (1875) signed Zixiang Zhang Xiong, with two artist's seals reading Zixiang and Yuanhu laoren, and one collector's seal Junhu Shen Shanjun shi zhengcang shuhua zhi yin
Leaf 7: Shi Lunzao, ink on paper, calligraphy in regular script, signed Quge Shi Lunzao, with two artist's seals reading Quge and Lunzao yinxin
Leaf 8: Wu Dacheng (1835-1902), ink and color on paper, inscribed by the artist and dated bingzi (1876) signed Wu Dacheng with an artist's seal reading Wu Dacheng and a collector's seal Xiaan zhencang zhi zhang
Leaf 9: Pu Hua (1832-1911) ink on paper, calligraphy in running script and dated wuyin (1878), signed Pu Hua with an artist's seal zuoying and one collector's seal Xiaan zhengcang zhi zhang
Leaf 10: Wu Guxiang (1848-1903) ink and color on paper, dated bingzi (1876) and signed Qiunong Wu Guxiang with an artist's seal and two collector's seals
Leaf 11: Zhan Luqi, ink on paper, calligraphy in running script dated bingzi (1876) and signed Zhan Luqi with an artist's seal
Leaf 12: Xugu (1823-1896) ink and color on paper, dated bingzi (1876) and signed Xugu, with two artist's seals and a collector's seal.
Leaf 13: Ge Qilong, ink on paper, calligraphy in standard script, signed Ge Qilong with an artist's seal.
Leaf 14: Jin Dejian (1810-1887), ink and color on paper, dated yihai (1875), and signed Jin Dejian with an artist's seal and a collector's seal
Leaf 15: Qin Wenchu, ink on paper, calligraphy in running script, signed by the artist with an artist's seal
Leaf 16: Gu Yun (1835-1896), ink and color on paper, dated yihai (1875) and signed Ruobo Gu yun with an artist's seal and a collector's seal
Leaf 17: He Shu, ink on paper, calligraphy in running script, dated bingzi (1876), signed by the artist with an artist's seal
Leaf 18: Chao Xun (1852-1917), ink and color on paper, inscribed by the artist and signed Chao Xun with an artist's seal and two collector's seals
Leaf 19:Yang Zhaoyun (1854-?), ink on paper, calligraphy in regular script, dated first year of Guangxu (1875) and signed Yang Zhaoyun, with an artist's seal and a collector's seal
Leaf 20: Du Qiukui, ink on paper, calligraphy in regular script, dated yihai (1875), with two artist's seals and two collector's seals
the outer titleslip in seal script by Wang Fu'an (1880-1960) dated 1941, with two calligrapher's seals.
22.5 x 32.5cm (8 1/2 x 12 3/4in) each (20).注脚Exhibited:
Wondrous Ink, Kalamazoo Institute of the Arts, Kalamazoo, MI, August 28- December 5, 2010

Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA, October 25, 2000-January 14, 2001

Published:
Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-53, p.205

Andrews, Julia Frances, Michael Knight, and Pauline Yao, Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, pp.69-71

Tsao Jung-Ying, The Paintings of Xugu and Qi Baishi, Seattle: University of Washington Press, 1993, p.140 (Leaf 12)

Provenance:
Far East Fine Arts, San Francisco, California
Sotheby's, Fine Modern and Contemporary Chinese Paintings, 27 and 28, October, 1993, lot 818

張熊、虛谷、吳大澂、楊伯潤、吳穀祥等八家　山城侍讀圖　設色紙本　冊頁十開　一八七五年至一八七六年作
王福厂題署簽
蒲華、楊伯潤、楊兆鋆等十二家題跋

簽條：
山城侍讀圖。辛巳（1941）孟陬之月，福厂題於春住樓。

款識：
（一）山城侍讀圖。題應季槃世四兄屬。鴻舫☐☐。
山城侍讀圖。季槃先生，本其家學，工詩善畫，余神交久矣。迩隨尊甫，小住龍邱，繪圖屬晉卿索題，率此五字，以誌翰墨因緣。戊寅（1878）仲春，海昌弟徐家禮。
（二）山城侍讀圖。季槃詞兄屬。乙亥（1875）冬十一月，楊伯潤。
對題：太邱交遊道彌廣，季方隨侍執几杖。君家喬梓亦如之，同幕山城意閒敝。客中大有家庭樂，讌賞梅花啟官閣。鶴鳴子和詩百篇，入夜吟聲止還作。羨君翩翩年正富，詩法況是乃翁授。世俗悠悠英雄館，青雲得路鈞天奏。奉題〈山城侍讀圖〉，季槃四兄大人鑒之。戊寅（1878）嘉平月，楊伯潤。
（三）山城侍讀圖。季槃仁世兄雅屬。乙亥（1875）三月。鴛湖七十三老人子祥張熊。
對題：鍾岱之牡，齒至之車。前似飛鳥，後類距虛。穱麥服處，躁中煩外。羈堅轡，坿易路。於是伯樂相其前後，王良造父為之御，秦缺樓季為之右，此兩人者，馬佚能止之，車覆能起之。於是使射千鎰之重，爭千里之逐，此亦天下之至駿也。登景夷之臺，南望荊山，北望汝海。左江右湖，其樂無有。於是使博辯之士，原本山川，極命草木。比物屬事，離辭連類。季槃四兄大人雅屬，桂舟陳蟾。
（四）山城侍讀圖。季槃仁兄大人屬。丙子（1876）三月，吳大澂。
對題：山城回首說同舟，交等忘年氣味投。入幕㕁生真有子，驚人謝朓已無儔。也從覓覓閒門閉，任與噙香泮水遊。開卷夜鐙吾媿甚，聲清老鳳好柶侔。湖海元龍意氣存，豈徒山谷有文孫。風高搏翮資
豐羽，雪冷鏖才出將門。行篋新詩還聚墨，故園秋樹尚留根。何當再剪西窗燭，為與推敲仔細論。季槃仁四兄世大人屬題，渠閣石綸藻初稿。
（五）山城侍讀圖。丙子（1876）新秋，即奉季槃仁兄大人雅屬，秋農吳榖祥。
對題：萬壑千巗氣毓奇，龍溪雲水湛清姿。異鄉曾未踈家學，薪火相傳父作師。名山椿蔭展風光，芸草當窗翠拂香。不負少年知努力，柔經剛史曰初長。為客還須惜寸陰，淵源妙得讀書心。青燈翦蕊常忘倦，更鼓山城報夜深。事業縹緗守便賢，鶴鳴子和韻天然。多文為富千秋志，賣盡良田賸硯田。季槃四兄世大人〈山城侍讀圖〉，因隨尊甫幕遊龍邱時所製也。戊寅（1878）冬暮，率題拙句，奉正蒲華。
（六）山城侍讀圖。季槃先生屬正。丙子（1876）冬，虛谷。
對題：好山環郭如畫屏，山光曉映青衫青。門外車馬任喧襍，阿翁覓句兒橫經。有時丹黃費讎校，豕魚辨析毫芒形。有時講解得妙義，春冰消釋流無渟。高唫朗誦膏欲盡，霜蟾清冷來窺櫺。奮物試將故檀守，異聞豈許同舍聆。天倫之樂乃至樂，誰言官閣殊家庭。龍邱賦歸已兩載，帷愛長下門長扃。分湖水肥足蝦蟹，晨饈夕膳佐潔馨。故知枕葄特餘事，尤能色飬娛衰齡。對也顧此意自快，老鳳翔舞雛梳翎。他年倘再圖戲綵，不辭禿穎重磨硎。丙子（1876）冬日余客秀州，季槃詞兄出〈山城侍讀圖〉索題。書此以應，希正之。古姑末詹☐魯儕甫稿。
（七）山城侍讀圖。季槃尊兄雅屬，乙亥（1875）中秋後二日，金德
鑑今客滬上。
對題：大有趨庭樂，渾忘羈旅情。執經依幕府，訪古入山城。靈運讀書處，阮孚蠟屐行。如聞幽谷裏，飛出鳳雛聲。元龍湖海士，垂老尚悲歌。［謂尊翁曼壽先生］爾亦能高詠，胸中星宿羅。生涯托書劍，逸興寄巖阿。更憶浣花客，山居唱和多。［謂杜君晉卿］奉題〈山城侍讀圖〉，即請季槃仁兄大雅政之，寄庵葛其龍甫稿。
（八）山城侍讀圖。季槃先生雅屬，即希正之。乙亥（1875）十二月，若波顧澐。
對題：人生百年如電掃，富貴功名判遲早。時乎時乎不再來，壯歲蹉跎老大槁。元龍先生鸞鳳姿，便便腹笥人中師。賁策十上不得意，放情詩酒聊自怡。朅來稿筆出門去，薄書錢穀相羈縻。山齋事簡清晝永，佳兒侍讀消遣之。士先器識後文藝，崢嶸頭角千里驥。經史背誦如水流，旁參韻學李杜企。花南研北拂吟箋，老鳳吟殘雛鳳替。揮毫得意賀詩成，想見鞠躬晉壽觶。此是天倫真樂地，簞瓢不易鐘鼎器。我展斯圖為黯然，猶憶舞勺成童年。業精於勤荒於怠，孜孜庭訓心脾鐫。少不努力耄將至，堂堂駒影馳花甎。抱膝長吟學蛩語，郊寒島瘦誰見憐。願君汲古擎脩綆，瓦鐙五夜燒三千。十年養氣十年讀，會看鳳羽儀閶天。奉題季槃世講兄臺〈山城侍讀圖〉，即希印可。松陵弟獨遊老民呈草。
（九）山城侍讀圖。季槃四兄大人詩家之屬，子餘弟巢勳。
對題：山城徑僻絕塵緣，侍讀終朝志勉㫋。繞膝常承詩禮訓，宜家端賴子孫賢。馳驅老我猶千里，偃蹇中途已五年。［余自壬申冬至楚，倏忽已五年矣］何日駷颿同覓句，梅窓清語意纏綿。［爾翁有梅窓覓句圖故云］丙子（1876）春仲，季槃四阮屬題〈山城侍讀圖〉，禾叔
氏書藁，時客楚北。鈐印：禾叔行笈之印
（十）陳君湖海豪，萬卷胸中有。憶昔省親時，與君為師友。君父丈人行，百篇酒一斗。浣薇再三誦，至今香在口。簡書忽逼人，殷勤重分手。君賞山城花，我折長亭柳。路遙情未隔，夢轂馳左右。忽報雙鯉來，珍重呼童剖。開緘見故人，清風生戶牖。示余侍讀圖，索余詩一首。我詩何足言，羨君福良厚。詩禮承鯉遲，琳琅探二酉。聲隨老鳳清，澤衍元龍久。天倫本至樂，名山況不朽。念君轉自念，南北枉奔走。惆悵春暉遲，容易秋風後。學業一無成，君親兩俱負。清桓嘆蹉跎，悔不安畎畝。甘旨自晨昏，湖竹且株守。父書但能讀，功名直敝帚。何當遂初志，風月同消受。訪君山城隅，相對一尊酒。談詩夜坐花，賞雨春翦韭。此約倘我踐，不嫌沮溺耦。拙句奉褱季槃四兄大人即題〈山城侍讀圖〉，當希教正。光緒紀元（1875）立冬，誠之楊兆鋆未定稿。丈夫貴自立，好學宜及時。教育賴父兄，詎敢同荒嬉。元龍湖海士，翩翩鸞鶴姿。趨庭習詩禮，字識無與之。朅來為饑驅，苦受塵紲羈。隨侍到山城，聊以酬烏私。公餘復苦吟，客中父作師。開卷自有益，辨惑更質疑。有時解旅愁，敬進酒一卮。有時發清興，同覓絕妙詞。樂事敘天倫，外人安得知。肯堂既慰望，跨竈亦可期。鯫生幼失學，孤露尤足悲。教子憶丸熊，幸賴慈母慈。挑燈題君圖，不覺涕泗隨。淵源溯家學，我詠南陔詩。乙亥（1875）莫春之初，奉題季槃詞長兄〈山城侍讀圖〉，即請指政，海昌弟杜求煃初稿。

鈐印：（何）松南冉叟
（徐）徐
（楊）南湖、伯潤私印、南湖
（陳）湯菴
（張）子祥、鴛湖老人、鴛湖逸史
（石）渠閣、綸藻印信
（吳）吳大澂
（蒲）作英
（吳）吳穀祥印
（詹）嗣夢
（虛）虛谷
（葛）蒲仙詞翰
（金）德鑑
（松）秦文
（顧）雲壺
（禾）禾叔行笈之印
（巢）勳印
（楊）楊兆鋆
（杜）杜求煃印、晉卿長壽
藏印：鵑湖沈善君氏珍藏書畫之印（七鈐）、漢盧心賞、俠厂珍藏之章（八鈐）

展覽：
《水墨神韻》，卡拉馬祖藝術學院，卡拉馬祖，密歇根州，2010年8月28日至12月5日

《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日

出版：
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會， 東京， 2013年，A50-53，頁205

Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，李鐘文亞洲藝術文化中心，舊金山，加州，2000年，頁69-71

曹仲英，《虛谷與齊白石畫集》，華盛頓大學出版社，西雅圖，1993年，頁140（虛谷一開）

來源：
美國加州舊金山遠東藝術中心
蘇富比香港，《中國書畫》，1993年10月27至28日，拍品編號818