Huang Yi (1744-1802)Bamboo
Hanging scroll, ink on paper, inscribed by the artist in clerical script, and signed Xiaosong with three artist's seals reading Xiaosong, Zunguzhai and Yulin houren, with a collector's seal Renhe Qian Zuihou cang, mounted with a calligraphic colophon by Wu Changshuo (1844-1927), dated gengxu (1910) with a dedication to Yimei, and signed Anji Wu Junqing Changshuo, with one calligrapher's seal reading Junqing.
Poetry hall: 21.6 x 31.8cm (8 1/2 x 12 1/2in)
Painting: 100.3 x 31.8cm (39 1/2 x 12 1/2in)注脚Exhibited:
New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007

Published:
Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-156, p.215

Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.202-203

Provenance:
Far East Fine Arts, San Francisco, California
Beijing Hanhai, Chinese Classical Paintings & Calligraphy, 9 December 2001, lot 983

黃易　墨竹　水墨紙本　立軸　
吳昌碩題詩堂

詩堂：
爵觚盤敦鼎彝鐘，掩映清光竹一叢。種竹道人何處住，古田家在古防風。庚戌（1910）四月維夏，宜枚仁兄屬書，安吉吳俊卿昌碩。

款識：
霜欺雪壓見精神，弄月翻風逈絕塵。莫與芭蕉並檐角，并將秋雨作秋聲。小松。

鈐印：（黃）小松、尊古齋、寓林後人
（吳）俊卿
藏印：仁和錢醉侯藏

展覽：
《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年8月30日至10月28日

出版：
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-156，頁215

Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁200-203

來源：
美國加州舊金山遠東藝術中心
北京瀚海，《中國書畫（古代）》，2001年12月9日，拍品編號983