清乾隆时期 痕都斯坦双耳玉碗 本只痕都斯坦工艺玉碗巧夺天工，玉质细腻，薄胎可“抚外影瞻内”，雕工精美绝伦，缠枝茎叶与花瓣纹样轻盈剔透，跃然于碗底，碗耳趣味灵动，为仙桃造型，彰显不凡雕工与水磨技艺，是清乾隆时期痕都斯坦式玉器上乘之作。 本只玉碗为典型的痕都斯坦式薄胎玉器，制作工艺考究，采用整块原石水磨器型，最终成品厚度不过2毫米，薄可透光。这就要求原石几近完美，磨制过程中任何细小的瑕疵或裂隙都会导致玉器破裂，因此格外珍贵。 历史上，清乾隆皇帝钟爱痕都斯坦玉器，写诗赞美其“在手凝无物，定晴知有形”掀起了一阵痕都斯坦玉热潮，后因痕都斯坦风格玉器制作过于奢靡耗料且薄胎玉器脆弱易碎，乾隆皇帝下旨停止制作。正因如此，痕都斯坦玉传世、完整保存的玉器稀少、珍贵，极具收藏价值。 A Qianlong period Hindnstan jade bowl with double ears This jade bowl is a delicate jade bowl, with a thin flesh that can be "fondled from the outside to the inside", and is beautifully carved, with a light and transparent pattern of entwined stems and leaves and petals that leap out at the bottom of the bowl, with interesting and lively ears in the shape of a peach, highlighting the extraordinary carving and water-grinding techniques, and is the finest piece of jade from the Qianlong period of the Qing Dynasty. This jade bowl is typical of the scardustan style thin-skinned jade, the production process is exquisite, using the whole piece of the original stone water polished shape, the final product thickness is only 2 mm, thin can be transparent. This requires the original stone to be nearly perfect, and any small imperfections or cracks in the grinding process can cause the jade to break, making it particularly valuable. Historically, the Qianlong emperor of the Qing Dynasty was fond of the jade of the Cindostan and wrote a poem in praise of it: "In the hand there is nothing to condense, but it is clear that there is a shape", which started a craze for Cindostan jade. Because of this, there are very few jade pieces that have survived and are intact, and they are highly collectible.