Spanish school; 18th century. "Portrait of a gentleman. Oil on canvas. Re-drawn. Measurements: 103 x 79 cm. Portrait of oval format in which there is a male figure with a long bust. The personage is dressed with a greyish frock coat that shows rich embroideries, which is inscribed in a red cloak that wraps the figure giving a great majesty and relevance to the figure of the portrayed. Various attributes are shown to the viewer in the scene, such as a letter, which the sitter holds in his hand, and a bookshelf at the back, on which several volumes of books can be seen. Thus showing the viewer not only his effigy, but also his profession, his rank and, in turn, his social worth. In the 17th century, the panorama of European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the emergence of a new concept of portraiture that would evolve throughout the century and unify all the national schools: the desire to capture the personality and character of the human being, beyond his external reality and social rank, in effigy. During the previous century, portraiture had become established among the upper classes and was no longer reserved solely for the court. For this reason, as the 17th and even more so in the 18th century, the formulas of the genre became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which came to dispense, as we see here, with all symbolic or scenographic elements in order to depict the individual rather than the personage. Dimensions 103 x 79 cm.