Balinese Beauties 1956 signed and dated 56 oil on board 50.4 by 35 cm. 19 7/8 by 13 6/8 in.FootnotesProvenance Private Collection, United Kingdom 西奧·邁爾 峇厘島美人 一九五六年作 簽名：Theo Meier 56 油畫木板 來源 英國私人收藏 Since the turn of the 20th century, exotic images of Bali have always attracted foreign artists. While the majority stayed for a short period of time, others decided to make the island their homes. Among some of the most well-known artists who came from Europe were Walter Spies, Theo Meier, Le Mayeur de Mepres, Han Snel, Donald Friend, Willem Hofker, Auke Sonnega, Antonio Blanco, Rudolph Bonnet and Arie Smit. Bringing with them a wealth of intellectual and creative concepts, these artists introduced formal elements comprising line, texture, colour, space and shape into traditional Balinese paintings. Together, they gave rise to new and extensive interpretations of Bali that were never before seen. Although mountains, flora, fauna, rice paddy fields, religious rituals and bare-chested Balinese youths seem to be common sources of inspirations, the stories they tell are distinct. The diverse points of view bring forth a unique dimension, adding immense depth to the history of Indonesian art. One European artist who became fully immersed in Balinese traditions and culture was Theo Meier. Born during a momentous period in human civilisation, young Meier was widely exposed to various art movements in Europe. Throughout his youth, his artistic journeys were as exotic as the island he came to love. Though disillusioned with his experience in Tahiti, he never imagined his first night in Bali would last for three decades, producing many of his best works. The height of Meier's Bali period reached its peak in the 1950s. Continuously inspired by the colourful life Bali had to offer, Meier pursued his art with increasing intensity. Lot 27 Balinese Beauties is characteristic of his major works. This classic painting illustrates two women with offerings on their heads. Finely detailed lines and limited use of colour palates are effective in emphasising the women's delicate facial features. Likewise, casually accented bold lines are utilised to highlight lively motifs in the background. Standing erect, Meier's first subject appears dignified, while her counterpart looks on with a balmy expression. Despite differences in mannerism, both women are observing a solemn procession within the realm of their gentle disposition. Unlike earlier, more subdued paintings that retain remnants of the South Seas, Balinese Beauties is a well-balanced composition that blends vibrant landscape with regal subjects. Its meditative quality invites viewers to appreciate inner peace and the harmony of Balinese existence.