LOT 0329 Wang Xue Tao, Chinese Painting
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王雪涛 虫草图 纸本 设色 镜心 Size: 94.5x 47.5cm 这是该画家的真迹,真实作品。 拍品来源:加拿大南亚华裔资深藏家珍藏 钤印:王雪涛印(红文) 款识:落日照平沙 青山夕阳斜 鸟入芳林里 惊去入落花 人物介绍:王雪涛(1903--1982),河北成安人,原名庭钧,字晓封,号迟园,中国现代著名小写意花鸟画家。历任北京画院院长、中国美术家协会理事、美协北京分会副主席、北京市第七届人大代表、北京市第五届政协常委、中国农工民主党中央联络委员会委员及北京市委委员 。著有《王雪涛画集》、《王雪涛画辑》、《王雪涛画谱》、《王雪涛的花鸟画》等。王雪涛是现代中国卓有成就的花鸟画 大师,对我国小写意花鸟绘画做出了突出贡献。他继承宋、元以来的优秀传统,取长补短。所作题材广泛,构思精巧,形似神俏,清新秀丽,富有笔墨情趣。创作上主张“师法造化而抒己之情,物我一体,学先人为我所用,不断创新”。画法上工写结合,虚实结合。他善于描绘花鸟世界的丰富多彩和活泼生气,又精于表现画家的心灵感受和动人想象。他注重写生,尤善于描绘大自然中的小生命,如蝴蝶、螳螂、蝈蝈、天牛、青蛙、蜻蜓、马蜂等,栩栩如生,引人喜爱。他还善用灵巧多变的笔墨,色墨结合,以色助墨、以墨显色,在传统固有色中融入西洋画法讲求的色彩规律,以求整体色彩对比协调,为画面增添韵律。他能准确地把握动态中的花鸟,并且能在情景交融中体现出转瞬即逝的情趣。因此他的花鸟虫鱼,刻画细致入微,鲜活多姿,生动可爱,情趣盎然。摆脱了明清花鸟画的僵化程式,创造了清新灵妙,雅俗共赏的鲜明风格。二十世纪五、六十年代其花鸟画已达到一个艺术高峰,至今无人出其右。---------------------------------Wang Xue Tao, Chinese Painting Wang Xuetao Cordyceps Picture of the color of the color of the color.this is the real work of the painter, Real work. Size: 94.5x 47.5cm Lot Source: Canada South Asia Chinese senior collectors Collection seal: Wang Xue Tao India (red text) section knowledge: sunset Pingsha Castle Peak sunset Fang Lin scared to fall into the characters introduced: Wang Xue Tao (1903--1982), Hebei Cheng An people, formerly known as Tingjun, the word Xiao Feng, No. Park, China's modern famous small freehand bird painter. He served as the president of the Beijing Academy of Fine Arts, the director of the Chinese Artists Association, the vice president of the Beijing branch of the American Association, the seventh member of the Beijing Municipal People's Congress, the Standing Committee of the Fifth CPPCC, the member of the Central Liaison Committee of the Chinese Peasants and Workers Democratic Party and the Beijing Municipal Committee. Author of "Wang Xuetao painting", "Wang Xuetao painting", "Wang Xue Tao painting", "Wang Xue Tao's flower and bird painting" and so on. Wang Xuetao is a great success of modern Chinese flower and bird painting master, on China's small freehand flower painting made outstanding contributions. He inherited the Song and Yuan since the excellent tradition, learn from each other. The subject matter is extensive, the idea is compact, the shape of the gods, fresh beauty, full of ink and fun. Creative advocate "the law of good fortune and express their feelings, I am one thing, learn to use for my people, and constantly innovate." Writing on the combination of writing, the actual situation combined. He is good at depicting the colorful and lively life of the world of birds and birds, and is good at expressing the senses of the painter and moving and imagining. He focuses on painting, especially good at depicting nature in the small life, such as butterflies, mantis, Grasshopper, beetles, frogs, dragonflies, wasps, etc., lifelike, attractive. He also made use of smart and varied ink, ink and ink combination, color ink to ink, ink color, in the traditional inherent color into the Western painting emphasizes the color of the law, in order to adjust the overall color coordination, for the screen to add rhythm. He can accurately grasp the dynamic in the flowers and birds, and can blend in the scene reflects the fleeting taste. So his flowers and birds and insects fish, depict nuanced, fresh, lively and lovely, full of fun. Get rid of the Ming and Qing Dynasties flower and bird painting of the rigorous program, creating a fresh and wonderful, elegant and elegant style. The twentieth century, the fifties and sixties of its flower and bird painting has reached an artistic peak, so far no one out of its right.
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