LOT 121 饶宗颐符子琴2005年作 书画集粹 手卷 水墨纸本
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引首28×77cm;画28×120cm;书法22×101cm;题首28×190cm
款识:|饶宗颐山水,符子琴书法合卷。圣泓先生命题时在两千零五年,储云于龙潭丈二居。钤印:储云之印(白)|一峰道人画以芝兰室图,最为高妙略师其意。之初方家法正。戊申,选堂。钤印:饶宗颐印(白)|小陶然图画图开,潋滟光浮酒一杯,艳摘夫容浓泼黛,阳江山色尽吞来,余壮其气魄,沈雄倚醉而和三,风扫溪云翠嶂开,看山饮酒倒千杯,枯豪醉搅金壶汁,潦草新诗滚滚来,时狂风怒号黑云四散,同人称快蠡勷喜,余空均意利故,再搭一首之迎风一笑壮怀开,欲把沧江作酒杯,涸饮银河成谈壤,黄姑不待鹊桥来。蔬叟书。钤印:符翕之印(白)|年幼习人物年十二,先君命从金陵杨寿楠先生学山水,杨先生尊人筱亭翁与符子琴游幕海阳,又与任伯年为至交,图卷满架暇日得有纵观,遂略阙六法门径,十七以后即辍画名,再涂抹者垂二十载,近七八年来稍事旧业,尤好倪黄自愧,未得万一,前岁来星以此图求教之初先生,竟取与符公法书合装成卷,此承出示属为跋尾,回忆前尘真同隔世事,而杨先生墓木已拱,未由请盖又不能不兴,感于怀也,因题数语归之。时一九七零年八月选堂识。钤印:选堂(朱)、宗颐之印(白)|饶氏师一峰道人芝兰室图,流畅虚淡,清逸和顺,笔墨相生,明朗散落,余多见饶氏法书神理俱足,十分钦佩,今见其图不禁拍案,明王世贞云:山水画志大痴,黄鹤又一变也,黄子久能在重法基础上,建立文人画之典范,而饶氏能继而创新,符氏书法大小对比干湿相依,婀娜多姿,潇洒自如,字里行间略显颜平原、苏学士之风貌。时在两千零五年秋,储云于龙潭之丈二居。钤印:储云私印(白)
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2015.11.26~11.27
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香港铜锣湾怡东酒店3楼
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