19th century Six single and three triptych oban tate-e prints, each framed and glazed; the single sheets comprising: Hana urioriku, depicting the actor Sawamura Tanosuke in role, 1812, signed Toyokuni ga (1769-1825); Ichimura Uzaemon as Kichiza, from the series Ki no ji-zukushi, 1861, signed Toyokuni ga (Kunisada I, 1786-1865) ; a sumo match (part of a triptych), titled Tokyo/Osaka O-zumimo doyo-iru no zu), c. 1870, signed Ichiyosai Kuniaki ga (1835-88); a woman of the Keicho era, from the series Jidai kagami, 1896, signed Yoshu Chikanobu (1838-1912); Hara no tsuki (The moon of the moor) [#63], from the series Tsuki hyakushi (100 Aspects of the Moon), 1888, signed Yoshitoshi (1839-1912); Otoku of Yanagibashi departing Tomoe Restaurant in Daichi, from the series Kaika sanjuroku kaiseki, 1878, signed Toyohara Kunichika hitsu (1835-1900); the three triptych sets comprising: the battle of Dannoura in Yashima, c. 1820-25, signed Gototei Kunisada ga (1786-1865); Yasa Genji Suma no yoizuki (Charming Genji [at] Suma [under] a full moon), from the series Shiki Keishoku no uchi: Aki (Landscape of the Four Seasons: Autumn), 1861, signed Kunisada ga (Kunisada II, 1823-80); and Waga kihei Dojô shieki yori Ryojun hôdai teisatsu no zu (Cavalry scouting the battery at Port Arthur), 1894, signed Oju Yosai Nobukazu hitsu (1872–1944). (9).