Edo period (1615-1868) to Meiji era (1868-1912), early to late 19th century Eight oban prints: five by Hiroshige including a tate-e of Oki from the series Rokujuyoshu meisho zue (Famous Places in the 60-Odd Provinces), a yoko-e of Kinkakuji from the series Kyoto Meisho no uchi (Famous Views of Kyoto) and another yoko-e of Kameido Tenmangu keidai no yuki, (The Compound of the Tenman Shrine at Kameido in Snow) from the series Toto meisho (Famous Views in the Eastern Capital); sixth, a tate-e by Yoshimune depicting a scene from the Tokaido Road; seventh by Kunisada, a tate-e sheet from a triptych, depicting sumo wrestlers; the last tate-e by Yoshitoshi from the series Tsuki hyakushi (A Hundred Aspects of the Moon); variously published and variously signed; all framed and glazed. The smallest: 34cm x 21.2cm (13 3/8in x 8 3/8in); the largest: 35.5cm x 24cm (14in x 9 7/16in). (8).