European School (19th Century) Group of Three Drawings Pencil on paper (two); watercolor on paper (one) 12-7/8 x 9 inches (32.7 x 22.9 cm) (largest) One signed to the lower right; one signed verso Works include Daniel Hernandez Morillo (Pensive medieval page), Amos Cassioli (Michelangelo and a garzone carving"The Night" for the Medici tomb), and Stefano Ussi (A renaissance meeting). PROPERTY FROM THE ESTATE OF NEAL GLASS AND KERRY BETENSKY PROVENANCE: Giovanni Piancastelli (1845-1926), painter, collector and Director of the Galleria Borghese, Rome (likely the compiler of the albums in which this sheet was contained); Estate of Reverend Father Francis Agius (1891-1958) of Our Lady of Counsel, Inwood, Long Island, New York; Sale, New York, by heirs of the above; Harry Glass, Long Island, New York, circa 1950s, acquired from the above; Estate of the above; Neal Glass and Kerry Betensky Long Island, New York by descent; Estate of the above. EXHIBITED: "Italian 19th Century Drawings and Watercolors," Shepherd Gallery, New York, April 1976. LITERATURE: R. Olson, Italian 19th Century Drawings and Watercolors: An Album. Camuccini & Minardi to Mancini & Balla, Shepherd Gallery, New York, April 1976 Modernists and traditionalists will find works to covet within this sale. And, without a doubt, this auction presents a singular opportunity for enthusiasts of 19th-century European academic drawings. Collectors will note that our July sale contains an attractive selection of 19th-century academic drawings from the estate of Neal Glass and Kerry Betensky. These sheets originate from an immense corpus of over 12,000 drawings assembled into a series of albums in the later 19th century by Giovanni Piancastelli (1845-1926), a painter as well as then-Director of the Galleria Borghese in Rome. During Piancastelli's period of activity, collecting drawings on this scale was not uncommon, particularly for a figure with close ties to an artistic community such as he had. It is notable that the current selection of drawings were contemporary works of art when Piancastelli acquired them. Many of the artists represented were figures Piancastelli knew personally, and who held teaching positions at the Academy of San Luca in Rome. While the fate of Piancastelli's entire drawing collection is unknown, the first batch purchased from it en bloc was sold in 1901 to the American Hewitt sisters, Sarah and Eleanor, who were forming a museum in New York City. Their 3,500 Piancastelli drawings remain in the permanent collection of the Cooper-Hewitt Museum. The Glass/Betensky drawings in the current catalogue share the above provenance, literature and exhibition history, unless otherwise noted in our online catalogue. Please note that the cataloguing for these sheets follows the extensive research and connoisseurship undertaken by the Shepherd Gallery, New York, as published in the catalogue to its 1976 exhibition Italian 19th Century Drawings and Watercolors: An Album. Camuccini & Minardi to Mancini & Balla. HID03101242017