青铜错金银几何纹三足兽头盖鼎 战国晚期—汉代时期，或之后时期？ 拍品尺寸：高度 18cm, 长度 23cm, 宽度 17.5cm 。此器为铜质盖鼎，平盖，平口。半椭圆形腹部，底部平缓，附耳微曲，鼎口沿平张，下面设有三蹄形足。盖上饰有一个站立的狮子形钮，器物表面有各种弦纹开光，中心内错金银纹饰图案，外围以简约鸟形纹构成相间。鼎两侧伸出 U 形耳，同样饰以错金银纹饰。整个鼎体巧妙地设计为一神兽之体形，并有兽头，双目圆睁，张口怒吼。神兽之整体，造型大气，栩栩如生。盖沿与鼎腹皆饰一周错金银变形几何纹。腹下纹饰，下承三足饰兽面纹，稳重有力。「错」在许慎《文解字》中释为：「错，金涂也」。意思是一种金属涂布、镶嵌的工法。底部有六字篆体错金铭文。 错金银工艺在青铜饰件上的使用，始于春秋中期，盛行于战国。今南京博物院庋藏战国晚期〈错金银鼎〉，为此时期的代表之作，与本作相似，可资参考。 在青铜器表面预先铸出或錾刻图案、铭文所需的凹槽，嵌入金银丝、片，锤打牢固，再以厝石加以磨错，使嵌入的金银丝、片与铜器表面平滑，金银与青铜各异的光泽相映成辉，将图案衬托得格外华美典雅，更显青铜器之珍贵。本件青铜盖鼎造形浑圆饱满，错金银纹饰极为精美，金丝细腻匀称，线条流畅婉转，富有极佳的视觉效果。 文献参考 战国晚期〈错金银鼎〉，南京博物院庋藏，出处：《中国青铜器全集 9－东周 3》，文物出版社，1997年，页 6-7，图版 6-7 拍场类似作品 战国〈错金银龙纹盖鼎〉，拍卖于香港嘉德 2014年4月9日，编号 653，成交价 HKD 6，900，000 ----------------------------------------Bronze Wrong gold and silver Geometric pattern Three feet Animal head cover tripod Late Warring States - Han Dynasty, or later? Lot Size: Height 18cm, length 23cm, width of 17.5cm. This device is made of copper, with flat cover and flat mouth. Semi-elliptical abdomen, the bottom is gentle, the ear is slightly curved, the tripod is flat, and there are three-footed feet below. The stand is decorated with a standing lion-shaped button. The surface of the object has various chord-like openings, and the center is decorated with gold and silver patterns. The outer part is composed of simple bird-shaped patterns. The U-shaped ears stick out on both sides of the tripod, and they are also decorated with the wrong gold and silver. The whole body is cleverly designed as a body of a beast, and has a beast head, with a double eye and a roar. The whole of the beast and the beast is atmospheric and lifelike. The cover and the ding belly are decorated with a wrong gold and silver deformation geometric pattern. Under the belly, it has a three-legged animal face, which is stable and powerful. "Wrong" is interpreted in Xu Shen's "Wenjiezi" as "wrong, gold is also". It means a method of coating and setting metal. At the bottom there is a six-character inscription on the gold inscription. The use of the wrong gold and silver craft on bronze ornaments began in the middle of the Spring and Autumn Period and prevailed in the Warring States. Today, the Nanjing Museum Archives the late Warring States Period (the wrong gold and silver tripods), the representative of this period, similar to this, can be referenced. Pre-cast or engrave the grooves required for the pattern and inscription on the surface of the bronze, embed the gold and silver wire, the piece, hammer it firmly, and then grind it with vermiculite to make the embedded gold and silver wire, the piece and the surface of the copper smooth, gold and silver The different lusters of bronze reflect each other, and the pattern is especially elegant and elegant, and the preciousness of bronze is more obvious. This piece of bronze cover is full and round, the gold and silver ornaments are exquisite, the gold wire is delicate and symmetrical, the lines are smooth and versatile, and it has excellent visual effects. Literature reference Late Warring States Period (False Gold and Silver Ding), Nanjing Museum Collection, Source: "Chinese Bronze Complete Works 9 - Dong Zhou 3", Cultural Relics Publishing House, 1997, pp. 6-7, 6-7 Shoot similar works Warring States (wrong gold and silver dragon pattern), auctioned in Hong Kong Guardian April 9, 2014, number 653 transaction price HKD 6,900,000