LOT 249 Ming Dynasty, Tianshun B/W Flower and Qin Qin
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明代天顺 青花携琴访友图双象耳盘口瓶: 拍品尺寸:高:23.5cm,口径:7.5cm,足径:8.7cm。拍品来源:北美-欧裔古董商。 瓶盘口,颈部上收下阔,丰肩,鼓腹下收。通体青花装饰。颈部与肩部分别饰蕉叶纹和火云纹,腹绘携琴访友图,近足处饰两层不同的纹饰。素底无釉,无款识。可贵之处还有瓶底部有收藏家的收藏标签。 明代天顺时期的青花瓷器具有本朝的特点,以此件青花盘口双耳瓶看,当时的的青花有浓艳的深蓝色和泛灰的淡蓝色的变化,此器采用的是进口青花钴料,色泽浓艳,并带有黑色结晶斑。青花图案不似宣德之晕散,亦不象成化之纤细,带有一种飘逸感。 画面运笔自然,采用一笔勾勒,特别是中锋运笔所绘流云与人物有独到之处,显示出较高的绘画水平。画面中的人物多逆风而行,冠带、衣衫拂扬,神情悠然。足前是疾风下的劲草,背后是云气掩映的峻岭山林。所绘云纹,粗重豪放,呈灵芝形,并有层层的小圈密布于云气的一侧。这种特殊的流云纹,既与明代初期的疏简风格不同,又与成化以后的圆柔风格有异,其时代特征较为突出。天顺青花瓷器在胎体及造型上也体现出时代特色,一般胎体较成化时期厚重,形体较宣德时高大,此瓶亦然如此,风格古朴敦厚。------------------------------------------------- In the Ming Dynasty, Tianshun Blue Flower and Qin Qin's friends visited the map. The two bottles of the ear jar bottle: Lot size: height: 23.5cm, diameter: 7.5cm, foot diameter: 8.7cm. Lot Source: North American-European Antique Dealer. The bottle is dished, and the neck receives a wide, rich shoulder, and the bulging belly is closed. Whole body blue and white decoration. Neck and shoulders are decorated with banana leaf pattern and fire cloud pattern respectively. The bottom is unglazed and has no knowledge. There is also a collector's collection label at the bottom of the bottle. The blue-and-white porcelains of the Tianshun period of the Ming Dynasty had the characteristics of this period. Looking at the blue-and-white mouthpieces of the Ming Dynasty, the blue-and-white flowers of the time had a rich dark blue and pale blue light blue. The device used imported blue-and-white cobalt. Material, rich color, and with black crystal spots. The blue-and-white pattern is not like the dizziness of Xuande, nor is it like the slenderness of Chenghua, with a sense of ethereality. The screen movement is natural and uses a sketch. In particular, the flow cloud painted by the center and characters have unique features, showing a higher level of painting. The figures on the screen moved up against the wind, with crowns and rags, and a look of leisure. In front of the storm is the grass, behind the mountains covered by clouds. The moires painted are bold and unrestrained and are ganoderma lucidum-shaped. There are small layers of clouds on one side of the cloud. This special moire is not only different from the sparse style of the early Ming Dynasty, but also has a different style after the Chenghua period. Its characteristics are more prominent. Tianshun Blue and White Porcelain also reflects the characteristics of the period in the carcass and styling. Generally, the carcass is thicker than in the Chenghua period, and the body is taller than Xuande. This is also the case with the bottle. The style is simple and honest.
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