清道光 豆青釉梅瓶：拍品尺寸：高度 23.4cm, 最大腹径 13.2 cm, 口径 5cm, 底径 10cm。拍品来源：欧-美古董商早期收藏品。这是一件非常珍贵的，釉色极漂亮，光洁，明亮，釉质细腻如凝脂的，清代道光官窑制作的豆青釉单色釉梅瓶。器物的底部书写篆书体“大清道光年制”六字青花款识，品相完好无损，极为难得，她是清代单色釉瓷器的杰作，收藏价值极高。 豆青釉，象青豆子一样的颜色。起源于宋代的龙泉窑。以前微近黄色，至清代釉色纯近绿。明正德年间的豆青，色浅淡而闪黄；康熙时则色深，釉面润泽，釉质剪影。 清代烧造豆青釉的同时，还在釉上施以各种色彩入窑二次烧造，淡雅的釉色衬托下的色彩，更加艳丽妩媚。清代中期以后，豆青色釉还有的在素胎上勾勒出纹饰轮廓线，施以豆青釉，然后入窑烧造成凸起的纹饰。 清代豆青釉工艺成熟，呈色淡雅柔和，色浅者淡若湖水，色深者绿中泛黄，釉面凝厚。自清代中期开始还在豆青釉上施以各种色彩入窑二次烧造，艳丽的彩釉在豆青柔和的釉色衬托下更显别致。 豆青釉釉面凝厚，晶莹可爱，淡雅的釉色，更加艳丽妩媚，因此豆青釉仍然是收藏者追求的热手品种之一。 中国最早有颜色釉的瓷器，是出现于南方的青釉瓷。因此所谓“青釉”，颜色并不是纯粹的青，而是具有黄、绿、青等几种颜色，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，统称为“青色”。如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。钧窑、元窑之青，皆近蓝色……惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”------------------------------------------------------------------------------------- Qing Daoguang Bean Green Glaze Plum Vase: Lot size: height 23.4cm, maximum abdominal diameter 13.2 cm, caliber 5cm, bottom diameter 10cm. Lot source: Ou-American antiques early collection. This is a very precious, glazed color is very beautiful, smooth, bright, enamel delicate as fat, the bean green glaze monochrome glaze bottle made in Daoguangguan kiln in the Qing Dynasty. At the bottom of the utensils, the six-character blue-and-white flower of the "Qing Qing Dao Guang Nian" is written, and the appearance is intact. It is extremely rare. She is a masterpiece of the monochrome glazed porcelain in the Qing Dynasty, and the collection value is extremely high. Bean green glaze, the same color as green beans. Originated from the Longquan Kiln in the Song Dynasty. It used to be slightly yellow, and the glaze of the Qing Dynasty was almost green. During the Ming Dynasty, the bean green was light and pale yellow; when Kangxi was dark, the glaze was moist, and the enamel silhouette. In the Qing Dynasty, when the bean glaze was fired, the glaze was applied to the glaze for a second time. The color of the elegant glaze was more beautiful and charming. After the middle period of the Qing Dynasty, the bean blue glaze also outlined the outline of the ornament on the elemental tire, applied the bean green glaze, and then burned into the kiln to create a raised pattern. In the Qing Dynasty, the bean glaze was mature, the color was light and elegant, the light color was light as the lake, the dark color was yellow in the green, and the glaze was thick. Since the middle of the Qing dynasty, various colors have been applied to the kiln glaze for secondary firing. The gorgeous glaze is more chic under the soft glaze of the bean green. Bean green glaze glazed thick, crystal clear, elegant glaze color, more gorgeous and charming, so bean green glaze is still one of the hot hand varieties pursued by collectors. The earliest porcelain with color glaze in China is the green glazed porcelain that appeared in the south. Therefore, the so-called "green glaze", the color is not pure blue, but has yellow, green, green and other colors, but how much can always produce a little green. At the same time, the ancients often referred to the three colors of green, green and blue, collectively as "cyan". Such as the Heng Heng "Drinking Sai said porcelain" said: "Ancient porcelain is still green, where green and blue are also covered with green." Liu Zifen's "Zhuyuan Tao said" also said: "Cyan one, often with The blue is mixed. The kiln and the kiln are all blue... The thousand peaks, the plums, the beans are pure blue ears. The sky is blue, sometimes green."