清代 中-早期 祭红釉鹿头双兽耳尊：拍品尺寸：高度：23.8cm, 宽度：22.5cm，口径：12.5cm，底径：13.5cm. 说明：收口，鼓腹，外撇圈足。胎壁厚薄适中，胎体圆润丰满，釉色暗红，凝重，釉汁滋润肥腴，器形规整，古拙，精美，时代特征鲜明。此祭红釉鹿头尊制作精美，红色深沉，艳丽，实为清代中-早期单色釉品种之佳器，存世极少。此件清代早期祭红釉鹿头尊，虽然历经百年沧桑岁月洗礼，至今任然保存完好，非常珍贵。它具有极高的历史，文化和艺术品的观赏和研究价值，而且极具收藏价值，升值潜力不可限量。 参考资料：“圆明园遗珍，清康熙仿钧釉琅窑变紫鹿头双兽耳尊 有牛毛纹及开片纹 (2012-01-09 23:52:03) ” 参考网址：http://blog.sina.com.cn/s/blog_81969dd30100z7f8.html 受钧窑瓷器铜红釉制作工艺的影响和启发，南方地区的许多名窑在元、明、清时期相继生产出了高质量的名贵铜红釉，如元代的釉里红，明清时期著名的宝石红、霁红（祭红）、郎窑红、美人醉等新品种。虽然其色调和风格因胎釉成份，烧成温度和气氛以及施釉方法的不同而有所差异，但不能就此否认钧窑铜红釉的成功运用对其产生的深刻影响和积极作用------。------------------------------------------------------------------------------------ Qing Dynasty In the early -The red glaze Deer head Double beast ear Jar: Size: height: 23.8cm, width: 22.5cm, diameter: 12.5cm, bottom diameter: 13.5cm. Description: close mouth, bulge belly, circle foot. Placental wall thickness moderate, placental body is fruity and plump, glaze color is dark red, dignified, glaze juice moistens fat fat, shape neat, ancient clumsy, exquisite, distinctive characteristics of The Times. This deer head with red glaze is exquisitely made, with deep red color and gorgeous color. This early Qing dynasty red glaze deer head, although after a hundred years of vicissitudes of baptism, still intact, very precious. It has a very high historical, cultural and art appreciation and research value, and a very high collection value, the appreciation potential is unlimited. Precious of resources, "the old Summer Palace, the qing emperor kangxi imitation jun glaze post variable purple deer head double beast ear and have a headache and slitting lines (2012-01-09 23:52:03)" reference site: http://blog.sina.com.cn/s/blog_81969dd30100z7f8.html Influenced and inspired by the copper red glaze technology of jun kiln porcelain, many famous kilns in southern China produced high quality precious copper red glaze successively in the yuan, Ming and qing dynasties, such as the inner red glaze of yuan dynasty, the famous ruby red, ji red (sacrificial red), lang kiln red, beauty drunk and other new varieties in the Ming and qing dynasties. Although its tone and style are different because of the composition of the glaze, the firing temperature and atmosphere, as well as the different glazing methods, we can't deny the profound influence and positive effect of the successful application of the copper red glaze of Jun kiln.