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Home > Auction >  Early autumn Asian Antique & Art, Painting >  Lot.219 Red Glaze Blue & White Figure Decoration Tai-Bai Statue

LOT 219 Red Glaze Blue & White Figure Decoration Tai-Bai Statue

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祭红釉开窗青花人物太白尊 四字楷书款“康熙年制” 规格 :口径:7.6CM底径:20.7CM高:7.7CM祭红是景德镇的陶工在明宣德时期创烧的著名红釉品种,它是以铜为着色剂,生坯上釉,置于还原焰气氛中,在1250℃-1280℃温度下一次烧成。祭红色泽深沉稳定,不流釉不脱口,釉面也罕有龟裂纹理。祭红釉色似初凝的鸡血,深沉安定,莹润均匀,釉中无龟裂纹理,因祭红器作祭祀郊坛之用,故名。祭红始创于明永乐、宣德年间。在古时皇室常以它作祭器,人们在配制祭红釉料时,往往将黄金、珊瑚、玛瑙、玉石等珍贵之物掺入釉料中,真可谓不惜工本。即使这样,也往往烧制不出好的成品。由于祭红釉瓷器历来难烧,因此它比其它色釉更为名贵。祭红釉,釉色深沉,釉面光润,釉中无龟裂纹理,不甚透明,不流釉,不脱口,不开片。它以铜为呈色剂,用普通制釉原料,加入釉灰、氧化锡,生坯挂釉,高温还原烧成。有的祭红釉料配制时,还往往将黄金、珊瑚、玛瑙、玉石等珍贵之物碾成粉末掺入其中,不惜工本。祭红釉是利用铜在还原气氛下呈现红色烧制而成,但这种生产气氛不易控制,因而十分名贵,明中晚期曾一度失传,至清代才恢复烧造,色泽更加艳丽、多样。历史上.鲜红釉瓷器曾倍受人们以及历代帝王的珍爱.其中清代的乾隆皇帝对鲜红釉瓷更是喜爱有加,每每摩挲把玩,倍加赞赏.他的诗:“雨过脚云婪尾垂,夕阳孤鹜照飞时。泥澄铁镟丹砂染。此碗陶成色肖之。”就是在吟咏明代宣德时期的宝石红釉碗。------------------------------------Red Glaze Blue & White Figure Decoration Tai-Bai Statue Black and white Figure Decoration Tai-Bai Statue Festival red glaze window and blue and white figure Taibai Zun four characters regular script "Kangxi years" Specifications: caliber: 7.6CM Bottom diameter: 20.7CM Height: 7.7CM Festival red is Jingdezhen potters In the Ming Xuande period burned the famous red glaze varieties, it is copper as a coloring agent, green glaze, placed in the reduction flame atmosphere, at 1250 ℃ -1280 ℃ temperature firing time. Sacrifice red color deep and stable, not glaze is not blurted, glazed is also rare crack texture. Sacrifice red glaze like the beginning of the condensate of chicken blood, deep and stable, shiny uniform, glaze without cracks in texture, because the sacrifice for the worship of the altar, Festival red was founded in Ming Yongle, Xuande years. In ancient times, the royal family often used it as a sacrifice, people in the preparation of red glaze, often gold, coral, agate, jade and other precious things into the glaze, can be described as at work. Even so, often do not burn a good product. As the red glaze porcelain has always been difficult to burn, so it is more expensive than other glaze. Sacrifice red glaze, glaze deep, glazed smooth, glaze without cracks in texture, not transparent, not glaze, not blur, not open film. It is copper as a coloring agent, with ordinary glaze raw materials, adding glaze ash, tin oxide, green hanging glaze, high temperature reduction firing. Some bonus red glaze preparation, but also often gold, coral, agate, jade and other precious things crushed into powder into them, at the cost. Sacrifice red glaze is the use of copper in the reduction of the atmosphere showed red firing, but this production is not easy to control the atmosphere, which is very valuable, once in the late Ming lost, to the Qing Dynasty to restore the burning, color is more beautiful and diverse. in history. Bright red glaze porcelain has been much loved by people and generations of emperors. Which the Qing Dynasty Emperor Qianlong of the red glaze is more like to add, often strokes to play, doubly appreciated. His poem: "rain over the foot of the cloud hoarse tail, sunset lonely flies when the fly. Mud Cheng iron 镟 Dan sand stained. This bowl of Tao Chengshi Xiao Zhi." Is singing in the Ming Dynasty Xuande period gem red glaze bowl

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