元青花鱼澡纹大罐： 拍品尺寸：高:28.6cm, 宽:36.5cm; 外口径:21cm, 底外径:22cm, 重量超过5公斤。 拍品来源：加拿大西人家族遗留 拍品特征：罐器圆口折沿，丰肩，鼓腹，收腰，圈足。胎体坚质，造型规整，青花发色蓝艳。底足微向外撇，凹足，造型敦厚沉稳。此器釉面尽显几百年的历史沧桑感和包浆。 此类元青花器罐通常有一个荷叶形盖，很可能在流传过程中丢失。罐上的青花装饰以图案式和绘画式相结合，口颈部位绘连续的几何纹，肩部，腹部以及下部，整个器身的画面，滿绘一幅莲花盛开的夏日景象，几条鱼儿在荷花盛开的莲塘里或觅食，或嬉戏，或小憩，或两两相伴，窃窃私语。若将整个画面展开，将定是一幅洋溢着生活气息和情趣的中国画。此件罐所用的青花料也应是进口钴料。大罐整体画面丰富饱满，富有韵味。 此罐即为元代青花瓷器中的三大经典造型之一，罐器造型大、沉重厚实。口沿和脖颈都线条流畅，外型圆润。罐器腹部留下拼接痕迹。画笔轻松自如，酣畅自然，不做作，不像瓷工所绘，而似文人画家在瓷片上作画。整器青花色泽蓝艳，美丽，层次丰富，莲花，鱼儿的图案表现非常生动，形象，可爱，纹饰画法规整自然，形象生动，令人过目难忘。 元青花瓷器总体分两种色调，一种呈灰蓝色，较浅淡，一种是深蓝色，较艳丽。传统概念中，呈色灰蓝者为国产料，呈蓝艳者为进口料。对照于进口料的浓艳特点，此罐的青花发色为蓝艳丽的进口料。 罐器内壁不施釉，内壁口沿胎釉结合部的一线有明显自然的火石红色。(火石红中，斑点红、一线红的形成状态最为自然，最不好模仿，认可率最高。) 元代器物采用手工拉坯或脱坯成型工艺，在罐器物内壁留下明显的指纹和旋纹。罐器口部釉厚薄不匀，釉薄处显米黄色。器物口边有的有毛边现象。 器底浅圈足，宽矮足墙，双面斜削，但坡面很小。器底隐约可见较粗较疏螺旋状的旋削纹。 元青花瓷的器底不施釉，称之糙底或砂底，胎釉结合部的一线胎红和釉下胎红(火石红)更是鉴别元青花瓷器的主要特征。 器底部有釉斑。釉斑或多或少，大小不等，形状不规则，呈青白釉色。 元代青花瓷的胎质胎质重而坚，器壁较厚，沉重厚实，大器较多。由于含杂质多，胎上大多有铁褐色小点。器底表面有铁锈斑点。锈斑坚硬，不易去除，锈色极深，呈黑褐色，砂底火石红。在当前的鉴定界、研究界对火石红的产生和鉴别的大多数观点是一致的。 元青花大罐绘画鱼澡纹图案，稀罕珍贵。 ----------------------------------Weight more than 5 kg Lot Source: Canada West family legacy Lot characteristics: cans round mouth fold, abundance shoulder, drum belly, waist, circle foot. Carcass strong, modeling regular, blue and white hair color blue. Bottom foot slightly outward write, concave foot, shape calm and calm. This glaze is full of hundreds of years of history of the vicissitudes of life and package pulp. This type of flower can usually have a lotus leaf cover, it is likely to be lost in the process of circulation. The blue and white ornaments on the cans are painted in a combination of pattern and drawing. The neck and neck are painted in geometric, shoulder, abdomen and lower part of the whole body. The whole picture of the body is painted with a lotus in summer. Fish in the lotus in full bloom or foraging, or play, or rest, or two companions, whispering. If the whole picture unfolds, will be filled with a breath of life and taste of Chinese painting. The lanterns used in this tank should also be imported cobalt material. Big picture of the whole picture full of rich, full of flavor. This tank is the Yuan Dynasty blue and white porcelain in one of the three classic modeling, cans modeling large, heavy thick. Mouth and neck lines are smooth, round shape. The abdomen of the cans leaves traces of stitching. Brushes are easy, healthy and natural, not contrived, unlike porcelain painting, and writers like painting on the tiles. The whole blue and white color blue and white, beautiful, rich layers, lotus, fish pattern is very vivid, the image, cute, decorative pattern of natural, vivid, memorable. Yuan blue and white porcelain overall two colors, one was gray-blue, lighter, one is dark blue, more beautiful. The traditional concept, the color was gray and blue for the domestic material, was blue Yan for the imported material. In contrast to the rich characteristics of imported materials, the canvas of blue and white hair color for the blue and beautiful imported materials. The inner wall of the can is not glazed, the inner wall of the mouth along the glaze junction of the line has a clear natural flint red. (Flint red, the red line, the formation of the first line of the most natural, the most bad imitation, the highest recognition rate.) Yuan Dynasty artifacts by manual drawing or billet forming process, in the cans of the wall to leave a clear fingerprint and spin Pattern. Tank mouth glaze thickness uneven, glaze thin place was yellow. Some of the edge of the device edge of the phenomenon. Shallow bottom foot, wide and short foot wall, double oblique, but the slope is very small. At the end of the machine can be seen relatively coarse and sparse spiral rotation of the rotation pattern. Yuan blue and white porcelain at the end of the device does not glaze, said the bottom of the bottom or sand at the end of the fetal glaze junction line of fetal red and glaze under the red (flint red) is to identify the main characteristics of yuan blue and white porcelain. The bottom of the device has glaze. Glaze spots more or less, ranging in size, irregular shape, was blue and white glaze. Yuan Dynasty blue and white porcelain fetal mass and heavy, thick wall, heavy thick, more devices. Because there are more impurities, most of the tires on the iron-brown dots. The bottom surface of the device has rust spots. Rusty hard, easy to remove, rust color deep, was dark brown, sand at the end of flint red. In the current field of identification, the research community is consistent with most of the ideas for the generation and identification of flint red. Yuan blue and white large cans painted fish pattern, rare and precious