孔雀绿釉长方形供盘 明或更早 拍品尺寸：31x19.8x3.9cm. 拍品来源：加拿大英格兰裔 家族遗留品 此长方形供盘 设计规整大气，四边线条非直线，均呈现优美的弧线，内收，撇口，收腹，底足烧造方法为宋代官汝窑时期的裹足支钉烧法，留有四个细微的支钉痕迹，不露胎体。此器无款，据推测应为皇家祭祀礼仪用之供盘，或为官窑制品烧造。孔雀蓝釉：那一抹雨过天晴的惊艳。孔雀蓝釉是一种美丽的色彩釉，其釉色之名称是以孔雀羽毛为标准，釉色偏绿的称孔雀绿，釉色偏蓝的称孔雀蓝，也有人称之为“法翠”、“法蓝”等，孔雀蓝釉是以铜元素为着色剂，烧制后呈现亮蓝色调的低温彩釉。釉光华丽，品种丰富多彩，而且在此基础上又发展成了法花，大大丰富了中国陶瓷品种。 纯净辽远 丝路生辉： “孔雀蓝釉”属于西亚地区的传统釉色，其制品在唐宋期间的商贸往来时被带到中原并在金、元民窑中陆续制作。从金、元产品工艺看，十三世纪的磁州窑系翠蓝器水平相对较高，至今有不少绘画精美的“翠蓝黑花”器存世。 中国在宋代已经开始生产孔雀蓝釉器物。在唐代，中国的孔雀蓝釉已经受到西亚的影响。据目前考古发现表明，孔雀蓝釉器物传入我国，最早可追溯到五代闽国刘华墓出土的3件孔雀蓝釉陶瓶。 波斯孔雀蓝釉陶瓶之一： 1965年福建省福州市北郊刘华墓出土： 刘华墓出土的3件孔雀蓝釉陶瓶均为小口、长鼓腹、小底，状如竖立的橄榄。瓶子表面施一种介于蓝、绿色之间的釉色，釉层较厚，学术界称此种釉色为“孔雀蓝釉” 或“孔雀绿釉”。至于其来源，当与当时中国东南沿海地区发达的海外交通贸易密切相关。五代闽国时期，王审知等统治者积极推动海外贸易，“招徕海中蛮夷商贾”，福州、泉州等地的贸易港口因此形成“填郊溢墎，击毂摩肩”的繁荣景象。刘华墓出土的孔雀蓝釉陶瓶，当是通过当时的海外贸易渠道输入福州的。 刘华墓出土的这3件来自异国他乡的孔雀蓝釉陶瓶，在历史的长廊中熠熠生辉，同时诉说着千百年前福建“海上丝绸之路”的辉煌历程。这些表明在中国陶瓷大量输入中亚、西亚的时期，也有少量的外来品传入中国。 神秘冷艳 世所罕见： 景德镇在元代浮梁瓷局建立后也制作过一些孔雀蓝釉器，釉上还烘烤金彩双角五爪龙纹装饰，可惜大部分金彩发掘前饱受土壤侵蚀已经脱落。从整体发掘情况看，元代出土器品种较少，说明当时御厂孔雀蓝釉制作尚未成太大规模。 明宣德时期制瓷发展迅猛，孔雀蓝取得很大进展，特别是统治者对御厂瓷的严格要求促使其单色釉、釉下青花制品精益求精。明代孔雀蓝官窑瓷器，在当时就极为名贵，成功的作品不多。现在能够完好保存下来的更是寥若晨星。 清代绽放 至臻至美： 清代是中国制瓷的鼎盛时期，尤其是早中期，为我国陶瓷史上的巅峰时代。而孔雀蓝釉这一品种在明代晚期曾一度产量剧降，难觅其踪，但到了康熙年间，孔雀蓝釉器又开始兴盛起来，并逐步走向孔雀蓝釉史上的又一高峰。 康熙孔雀蓝釉较明代宣德、成化烧造的釉色变化更多，有的浓重葱翠，有的淡而纯净。雍正、乾隆时，孔雀绿釉瓷器的造型种类较康熙时更为丰富。清代中期以后，制瓷业逐渐走向衰落。 沉静高贵 藏界宠儿： 孔雀蓝在制作初期时种类并不丰富，随着它的呈色、胎釉结合等诸多特性慢慢被人掌握，在陶瓷界的应用也渐趋广泛。根据制作品种，我们可以大致将其分为三类：孔雀蓝单色釉、孔雀蓝青花、与孔雀蓝有关的混和彩瓷。 釉色之中，“孔雀蓝”有着大多古陶瓷收藏家公认的美丽，那是一抹雨过天晴的色彩。 2004年，一件明代宣德年间的孔雀蓝瓷盘以 1238万元的港币落槌小小一块瓷盘竟能追捧到千万元的天价，可见其美丽色彩对于收藏界的诱惑力。1989年苏富比拍卖会上，一件明宣德孔雀蓝釉暗花盘拍卖成交金额港币 374万元。 孔雀蓝作为铜釉家族成员之一，是铜釉介于还原与氧化两大气氛之间的中间色，其进步发展为制瓷者充分了解铜元素化学性质、掌握其他发色、推动新釉制作起到了铺垫作用。在元朝以前的彩瓷萌芽时期，孔雀蓝能独成体系，对活跃当时的彩瓷发展起到不可估量的作用。彩瓷繁荣的明清时期，它又以不同角色融入单色釉、青花、彩瓷中，为制瓷发展添砖加瓦。博物馆收藏资料： 清初 孔雀蓝锥拱蕉叶夔纹觚---台北故宫博物院藏； 清乾隆 孔雀蓝色玻璃长颈瓶---北京故宫博物院藏； 清康熙孔雀蓝釉瓷---大英博物馆藏； 明成化 景德镇窑孔雀绿釉青花莲鱼纹盘---上海博物馆藏 -----------------------------------Peacock Blue Glaze For rectangular plate Ming or Earle Size:31x19.8x3.9cm.This is a rectangular design for the rectangle, the four sides of the line is not straight, are showing a beautiful arc, adduction, skimming, abdomen, bottom foot burning method for the Song Dynasty official Ru kiln period Wrapped feet nail burning method, leaving four subtle traces of nails, not exposed carcass. This device has no money, presumably for the royal rituals for the plate, or for the kiln products burning. Peacock blue glaze: that touch of rain over the sunny stunning. Peacock blue glaze is a beautiful color glaze, the name of its glaze is peacock feathers as the standard, glaze green called malachite green, glaze blue called peacock blue, also known as "law Tsui", "France blue "Peacock blue glaze is a copper element as a coloring agent, fired after the bright blue tones of low temperature glaze. Glazed gorgeous, variety of colorful, and on this basis has developed into a law flower, greatly enriched the Chinese ceramic varieties. Pure and distant silk Road Sapphire: "Peacock Blue Glaze" belongs to the traditional glaze of the West Asia region, its products during the Tang and Song business contacts were brought to the Central Plains and in the gold, Yuan Min kiln in succession. From the gold, yuan product technology, the thirteenth century Cizhou kiln Cui blue level is relatively high, so far there are many beautifully painted "turquoise blue flowers" device surviving. China in the Song Dynasty has begun to produce peacock blue glaze objects. In the Tang Dynasty, China's peacock blue glaze has been affected by West Asia. According to the current archaeological findings show that peacock blue glaze objects into our country, the earliest can be traced back to the Five Dynasties Fujian Guohua tomb unearthed three peacock blue glaze pottery. Persian peacock blue glaze pottery one: 1965 Fuzhou City, Fujian Province, the northern outskirts of Liu tomb unearthed: Liu Hua tomb unearthed three peacock blue glaze pots are small mouth, long drum belly, small bottom, shaped like erected olives. The surface of the bottle is a kind of glaze between blue and green, and the glaze is thick. The academy calls this kind of glaze as "peacock blue glaze" or "peacock green glaze". As for its source, when with the then southeast coastal areas of China developed overseas trade is closely related. During the period of the Five Dynasties, the rulers of the Five Dynasties and Fujian Provinces actively promoted overseas trade. The trade port of "attracting the barbarians in the sea", Fuzhou, Quanzhou and other places thus formed a prosperous scene of "filling the suburbs and spraying the hubs". Liu Hua tomb unearthed peacock blue glaze pottery, when through the then overseas trade channel into Fuzhou. Liu Hua tomb unearthed from the three peasant blue glaze pottery from a foreign country, in the history of the corridor shine, also told thousands of years ago Fujian "Maritime Silk Road" glorious journey. These indicate that in the Chinese ceramics a large number of imports in Central Asia, West Asia period, there are a small amount of foreign imports into China. Mysterious cold Lenshi rare: Jingdezhen in the Yuan Dynasty Fuliang porcelain Bureau has also been made after the establishment of some peacock blue glaze, glaze also baking golden color double horns claw decoration, but most of the golden color before excavation suffered from soil erosion Has fallen off. From the overall excavation situation, the lesser varieties of the Yuan Dynasty, indicating that the Royal Peacock Blue glaze production is not yet too large scale. Ming Xuande period of rapid development of porcelain, peacock blue made great progress, especially the rulers of the strict requirements of the imperial factory porcelain to promote its monochrome glaze, glaze blue and white products excellence. Ming peacock blue guang porcelain, at the time was extremely valuable, not much success. Now able to keep it down is very rare morning star. Qing Dynasty bloom to Zhen to the United States: the Qing Dynasty is the heyday of Chinese porcelain, especially in the early and mid-term, the peak of the history of China's ceramics. The peacock blue glaze this species in the late Ming Dynasty once the output dropped, hard to find its trace, but to Kangxi years, peacock blue glaze began to flourish, and gradually toward the peacock blue glaze in the history of another peak. Kangxi peacock blue glaze than the Ming Dynasty Xuande, into the burning of the glaze changes more, and some thick lush, and some light and pure. Yongzheng, Qianlong, the peacock green glaze porcelain modeling type is more abundant than Kangxi. After the mid-Qing Dynasty, the porcelain industry gradually decline. In the early stages of the production of peacock blue is not rich, with its color, fetal glaze and many other features are slowly being grasped, the application of the ceramic industry has become increasingly widespread. According to the production of varieties, we can roughly divided into three categories: peacock blue monochrome glaze, peacock blue blue and white, and peacock blue-related mixed porcelain. Glaze, "Peacock Blue" has a lot of ancient ceramic collectors recognized beauty, it is a touch of rain over the fine color. In 2004, a Ming Dynasty Xuande peacock blue porcelain plate to 12.38 million Hong Kong dollars a small piece of porcelain plate can be sought after to the price of millions of dollars, showing its beautiful color for the collection of the temptation. 1989 Sotheby's auction, a Ming Xuande peacock blue glaze dark disk auction turnover of HK $ 3.74 million. Peacock blue as a member of the glaze family, is the copper glaze between the reduction and oxidation of the two atmosphere between the middle of the color, the progress of the development of porcelain who fully understand the chemical properties of copper, master other hair color, promote the new glaze production Played a role in bedding. In the Yuan Dynasty before the bud of porcelain buds, peacock blue can become a unique system, the active development of porcelain at that time played an immeasurable role. Porcelain prosperity of the Ming and Qing Dynasties, it has a different role into the monochrome glaze, blue and white, porcelain, porcelain development for the development of brick. Museum of the collection of information: the early Qing Dynasty ? Peacock blue cone Gong Yan Ye Kui graves --- Taipei Palace Museum possession; Qing Emperor Qianlong ? Peacock blue glass bottle - Beijing Palace Museum; Qing Kangxi Peacock Blue Glaze - - British Museum; Ming Chenghua ? Jingdezhen kiln peacock green glaze blue and white lotus fish plate --- Shanghai Museum Peacock Blue Glaze For rectangular plate Ming or Earle