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Home > Auction >  Sir Sidney Nolan >  Lot.113 Antarctic, 1964 Sidney Nolan(1917-1992)

LOT 113 Antarctic, 1964 Sidney Nolan(1917-1992)

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邦瀚斯

Sir Sidney Nolan

邦瀚斯

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Sidney Nolan (1917-1992)Antarctic, 1964 signed, dated and inscribed verso: '30 Aug 1964 / Antarctic / Nolan'oil on composition board121.5 x 121.5cm (47 13/16 x 47 13/16in).注脚PROVENANCESir Sidney Nolan, United Kingdom, until 1992Lady Nolan, United Kingdom, until 2016The Estate of Lady Nolan, United KingdomEXHIBITEDSidney Nolan: Antarctic Series, Nolan Gallery, Lanyon, Australian Capital Territory, 4 June – 7 September 1986, cat. 11 (label attached verso)LITERATURERodney James, Sidney Nolan - Antarctic Journey, Mornington Peninsula Regional Gallery, Mornington, 2006, cat. 23, p. 74, as AntarcticaRELATED WORKSAntarctica, 30 August 1964, oil on composition board, 121.9 x 121.9cm (NGA 2017.228); Antarctica, 1964, oil on composition board, 121.9 x 121.9cm (NGA 2017.229), and Antarctica, 30 August 1964, oil on composition board, 121.9 x 121.9cm (NGA 2017.230), all in the collection of the National Gallery of Australia, Canberra, purchased 2017 from the estate of Lady NolanMt. Erebus, 28 August 1964, oil on composition board, 122.0 x 123.0cm, in the collection of the Art Gallery of New South Wales, SydneyAntarctica, 30 August 1964, oil on composition board, 121.9 x 121.9cm, in the collection of the Tate Gallery, LondonBy the early 1960s Nolan's international fame was reaching a crescendo based on his paintings of Kelly, Burke and Wills, Mrs Fraser and the convict Bracefell, and Gallipoli. Each of these flawed heroes and anti-heroes existed within landscapes that were essential to their narrative. In each case, Nolan visited the areas he depicted before starting to paint. In 1964 when an opportunity came to visit Antarctica on a U.S. naval ship he lept at the opportunity. Aside from his love of travel and natural curiosity, he had a lifelong interest in the great age of Antarctic exploration and its leading men, Amundsen, Scott, Mawson and Shackleton. The Antarctic series that followed Nolan's journey was to be his last major body of work that examined the making of legends. When the paintings were first exhibited in New York and London early the following year they were shown alongside Kelly and Burke and Wills paintings. For other important works from this series see lots 125, 156 and 193.

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Other Lots in this session 56unit
Kelly on Horseback, c.1965 Sidney Nolan(1917-1992)

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Mediterranean Head, c.1956 Sidney Nolan(1917-1992)

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Paradise Garden, c.1970 Sidney Nolan(1917-1992)

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City, c.1962 Sidney Nolan(1917-1992)

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Irises and Landscape, c.1962 Sidney Nolan(1917-1992)

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Gazelle, c.1963 Sidney Nolan(1917-1992)

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Flight into Egypt, c.1957 Sidney Nolan(1917-1992)

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Daisy Bates and Flowers, c.1970 Sidney Nolan(1917-1992)

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Kelly Sidney Nolan(1917-1992)

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Bird and Nest, 1984  Sidney Nolan(1917-1992)

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Bird and Branch, c.1984 Sidney Nolan(1917-1992)

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Adelaide Woman with Garland, 1964  Sidney Nolan(1917-1992)

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African Elephants, 1963 Sidney Nolan(1917-1992)

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Irises, 1962 Sidney Nolan(1917-1992)

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Kelly and Watcher on Cast-Iron Balcony, c.1961 Sidney Nolan(1917-1992)

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Bather, Soldier, Gallipoli, 1958 Sidney Nolan(1917-1992)

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