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Home > Auction >  FINE CHINESE PAINTINGS >  Lot.120 Buddha Shi Xiangtuo (1906-1990)

LOT 120 Buddha Shi Xiangtuo (1906-1990)

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HKD8,000
Estimate  HKD  8,000 ~ 12,000

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邦瀚斯

FINE CHINESE PAINTINGS

邦瀚斯

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Size

Painting: 95.5 x 56.5cm (37⅝ x 22¼in)Poetry hall: 23 x 56.5cm (9 x 22¼in)

Description

FROM THE COLLECTION OF FAMOUS SINGAPOREAN MUSICIAN WANG YISHAN新加坡著名音樂家王一山珍藏中國書畫LOTS 101-128劉海粟的星洲藝緣音樂家王一山(1939-2017)生於新加坡,父親王進通是星馬著名小提琴家,母親亦是知名歌星。承襲家學,王一山從小就展現出非凡的音樂天才,十二歲已加入新加坡交響大樂隊,擔任第一小提琴手。據一九六八年的《南洋商報》,時年二十九歲的王一山已擔任新廣大樂隊的指揮,父子合作,常常往返於沙巴、曼谷等地巡演,頗具聲望。上世紀六十年代中期,素耽繪事的王一山設法以書信與傾慕已久的大師劉海粟建立聯繫,拜入藝海堂門下。素未謀面的師徒二人,憑魚雁往返,論藝談心,慰問扶持,尺素傳情逾廿載,直至一九八七年,耄耋之年的劉海粟應邀於新加坡博物館舉辦畫展,師徒方始相見。歲月激蕩,這份跨越時空與地域的書畫緣,兀自沈澱。邦瀚斯書畫部本季有幸得到王一山哲嗣的信任委託,將其父逾半世紀的珍藏割愛釋出。六十年代中期的中國,慘烈的政治運動鋪天蓋地席捲而來。噩耗亦傳至南洋,施香沱致王一山信中云,「一九六六年,十月卅一日,頃接舍弟從家鄉來信說,家中所有書畫古董、全部焚毀」。劉海粟在上海的生活更是舉步維艱,他兩次中風,不能執筆,又被打為「右派」,「藝海堂」成為造反派的司令部,一家人被掃地出門,趕到瑞金路一深巷的地下室,過起「牛棚」生活。南洋的朵雲寄情,為海老孤涼的晚景注入一縷暖光。此輯釋出的十一封書信(拍品編號107-117),最早署年為一九六五年,最遲一封為一九七八年。在獲悉老師近況及所需後,王一山往往毫不推辭,盡己全力。藥品、食物外,更以匯款支付老師潤格,在物資匱乏的年代,不啻雪中送炭,助老師度過難關。當然,王一山也會寄上習作請老師指點(拍品編號105),而劉氏回函,亦每每附上佳作。雖謙稱「寒夜涉筆,病力荼弱」,實為其「興之所至,信手拈來」的得意之作,在極端的環境下,這些筆力磅礴的長松牡丹,綻放着盎然、飽滿與老辣的精神光輝。尤為值得一提的是〈墨牡丹〉(拍品編號106),乃畫家撿家藏心愛之作相贈,自作詩「春露闌干曉未收,洛陽名品擅風流。姚黃魏紫渾閒見,誰識劉家穿鼻牛」,逆境中更顯畫家樂觀豪邁的本色。除乃師作品外,王一山也收藏了星馬藝壇中堅如施香沱、上官紹茂、陳人浩、陳景昭、瑪戈以及釋竺摩、演培等人的作品,我們特地選取其中佳者,分別在本場以及我們首次推出的網拍中呈現,冀可令藏家一窺星馬書畫創作的風貌。王進通、一山父子皆篤信佛教,一山法號心藝居士,故此輯珍藏頗多佛教相關內容,如施香沱所作〈阿彌陀佛〉(拍品編號 120)、篆書〈心經〉(拍品編號123),弘一法師楷書節錄〈華嚴經〉(拍品編號128),而豐子愷親筆寫贈王氏、具「一山」上款的〈前人種樹後人涼〉(拍品編號122),更為市場罕見有明確款屬的作品,識者當自珍之。














Shi Xiangtuo (1906-1990)


Buddha Ink and colour on paper, framed Inscribed and signed Shi Xiangtuo, with two seals of the artist Dated jisi year (1989)Poetry hall titled and signed Zhumo, dedicated to Wang Yishan (1939-2017), and with two seals of hisPainting: 95.5 x 56.5cm (37⅝ x 22¼in)Poetry hall: 23 x 56.5cm (9 x 22¼in)
|施香沱 阿彌陀佛 設色紙本 鏡框 一九八九年作竺摩題詩堂詩堂:南無阿彌陀佛。王一山心藝居士屬。竺摩。款識:百竹齋供養。己巳(1989)十一月幾望,七閩近事男施香沱盥手敬繪。鈐印:施香沱、沱印、竺摩之印、佛形印註:施香沱,字宏澤,筆名吟笙、定叔,齋號「迦陵樓」,晚署「星鳳堂」。施氏出身漳州望族,飽受家學薰陶,尤擅詩文、書畫。一九三八年抵星洲,兩年後舉辦「籌賑祖國難民畫展」。一九四一年始,先後任教於南洋美專、南洋大學書畫研究會,並於一九七六年被選為新加坡美術研究會會長,著有《香沱叢稿》、《施香沱書法》。施氏書法各體兼長,尤擅篆、隸。隸書宗漢碑,後取法伊秉綬、鄧石如等,用筆遒勁蒼古、雄渾豪邁。施香沱乃新、馬美術教育之先驅,對東南亞中國傳統藝術之推廣產生深遠影響。

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  • Commission  HKD
  • 0 ~ 25,00027.5%
  • 25,001 ~ 3,500,00025.0%
  • 3,500,001 ~ 31,000,00020.0%
  • 31,000,001 ~ Unlimitation13.9%

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